| The Bojeffries Saga | |||
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Cover of The Complete Bojeffries Saga (1992). Art by Steve Parkhouse. |
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| Created by | Alan Moore and Steve Parkhouse | ||
| Publication information | |||
| Publisher | Quality Communications Atomeka Press Fantagraphics Upshot Graphics |
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| Formats | Original material for the series has been published as a strip in the comics anthology(s) Warrior and A1. | ||
| Genre | Horror, humour/comedy | ||
| Publication date | August 1983 – 1991 | ||
| Creative team | |||
| Writer(s) | Alan Moore | ||
| Artist(s) | Steve Parkhouse | ||
| Creator(s) | Alan Moore and Steve Parkhouse | ||
| Reprints | |||
| Collected editions | |||
| The Complete Bojeffries Saga | ISBN 1879450658 | ||
| The Bojeffries Saga | ISBN 978-1-60309-063-6 | ||
The Bojeffries Saga is a series of comics stories written by Alan Moore and drawn by Steve Parkhouse which have been published by a number of different companies since their debut in 1983 in the UK comics anthology Warrior.
Described as a "soap opera of the paranormal" it features an eccentric English family of werewolves, vampires and monsters in various peculiar tales.
Contents |
The first Bojeffries tale - "The Rentman Cometh" - appeared in black and white form in the British Quality Communications anthology Warrior #12 (Aug, 1983), with three further stories appearing in Warrior to July 1984.[1] A fifth story was published in the eighth issue of the Fantagraphics publication Dalgoda (Apr 1986), and the four Quality issues were "reprinted, coloured and reformatted," for Flesh and Bones #1-4 from Upshot Graphics.[1]
Between May 1989 and April 1990, a further four tales were published by Atomeka Press as part of its all-star anthology title A1 issues #1-4, with a fifth appearing in the A1 True Life Bikini Confidential (Feb 1991).[1] In 1992, Tundra Press (the company set up by Kevin Eastman with profits from his co-creation of the Teenage Mutant Ninja Turtles) reprinted the ten Bojeffries stories together with an introduction from Lenny Henry and four new illustration-stories: three cut-outs and a recipe.[1]
In 2004, the prologue created for Dalgoda #8 and the first two-part story from Warrior (reformatted for Flesh and Bones) were reprinted in the A1: Big Issue Zero as a reminder of the A1 style, before the then-upcoming 2005 relaunch.[2][3][4] The relaunch stuttered, however, and the new ongoing A1 series never appeared. It had been intended for the reprinted stories to form the foundation for the A1: Bojeffries Terror Tomes an all-new three-issue series, with each issue focusing on a different member of the family, starting with Festus.[5] Although previews of the finished stories were made available in February 2005, with an anticipated launch in April,[5] no new titles were published.
In 2004 Parkhouse suggested there would be no more stories,[6] however A1-editor Dave Elliott and Gary Spencer Millidge (editor of Alan Moore: Portrait of an Extraordinary Gentleman) have both suggested there will be more stories[7] while long-time Moore-collaborator, Kevin O'Neill said, in September 2008, that Moore was taking breaks from working with him on League of Extraordinary Gentlemen: Century to finish the finale of the Bojeffries Saga,[8] which was for the new collection from Top Shelf.[9]
Comedian and high-profile comics-fan Lenny Henry (who wrote the introduction to the 1992 Tundra Press collection) described the series as "weird," recalling that the series' arrival in Warrior was "a breath of fresh air, bringing an anarchy and weirdness to comics similar to the kick up the arse that The Young Ones brought to television. It was different. Alan Moore and Steve Parkhouse had created a group of people you wouldn't want to be in the same universe as - let alone the same room..."[10]
The Independent described the series as "The Munsters written by Alan Bennett high on episodes of Coronation Street, all beautifully rendered in a style equal parts Robert Crumb and the Bash Street Kids' Leo Baxendale."[11]
In a 2004 interview Parkhouse said that the story was not influenced by Charles Addams, but drew more on his time in South London as a child.[6] He "wanted it to be uniquely British and reflect life as I saw it."[6] Lenny Henry noted "Lord Snooty this wasn't," launching alongside "'Miracle Man', 'V for Vendetta', 'Shandor', 'Laser Eraser and Pressbutton' and... Zirk" in the ubiqitous UK comics publication Warrior.[10] The British-ness of the strip was underlined by its setting - a council house in Northampton - as well as its initial storyline (dealing with rent collection) and the new material created for the Tundra Complete Bojeffries Saga in the British Annual tradition.[1] (A trope which Moore would return to some ten years later in his and Kevin O'Neill's The League of Extraordinary Gentlemen collections.)
The Bojeffries Saga is the story of a family living in a council house in Northampton, England (not coincidentally the hometown of writer Moore). The family is made up of:
Short stories created for various publications and publishers:
Illustrations created for the Complete Bojeffries Saga TPB:
Tundra Press published a collection, The Complete Bojeffries Saga (ISBN 1879450658), in 1992.
A new collection was created by Top Shelf Productions (ISBN 978-1-60309-063-6) including a new story:
| “ | yeah, I have written a final Bojeffries – well, I don’t know if it’s a final – but I’ve written a kind of, it wouldn’t hurt if it was the last one, although maybe me and Steve will want to do some more with them.
What we’re going to do is, we’re going to collect up, with Top Shelf, all of the Bojeffries material that’s appeared to date, and we’re going to cap it all off with a twenty-four page story called After They Were Famous, which is the Bojeffries in 2009, existing side-by-side with culture as it is now, as opposed to culture as it was in the eighties and the early nineties[9] |
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1994: Nominated for "Best Graphic Album--Reprint" Eisner Award for The Complete Bojeffries Saga[12]
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